What are the differences between digital vinyl sounds and sounds?

Vinyl and digital sounds are so good and bad that high-fidelity enthusiasts have never stopped talking about this topic. Technically speaking, most sound engineers use modern and advanced digital devices for recording and processing, so most people think that the sounds played back by digital sounds are the result of the sound engineers.

In fact, as early as the early 1990s, digital stream oversampling techniques have made the distinction between digital recording and digital playback beyond the reach of human hearing.

We have to admit that the sounds converted by " digital -analog" sound different, not because the digital recording is more detailed, but because the vinyl is black glue. Compared to CDs, playback in the analog era is not only less detailed, but also has a smaller dynamic range. Although the reason for this is a bit complicated, it is really not magic.

The music released in both vinyl and digital formats can be heard differently by ordinary people. When you remove all the impossible, the rest will be real, yes, this is the rhythm of Sherlock Holmes. The difference between analog playback and digital recording lies in the part of the sound engineer or sound engineer who created the music that they were proud of but were removed from the vinyl. - You can clearly see the effects that the mixers added in the later stages. If you have this kind of experience yourself, you may have heard it.

Listening to those recordings that came out of the studio and were repaired neatly and flawlessly, they were very monotonous and boring. Always check the pitch, correct the drum point, not need to superimpose or adjust the waveform, tone, reverb or phase, etc. This is the work of digital music production. In addition, our ears are on the sides of the head, and then our visual senses tell us that reverberation and echo are concentrated at one point in the field is impossible.

On the other hand, if there is no digital revolution, audio equipment such as loudspeakers cannot emit such clear bass sounds and melody; and the “inaccuracy” of vinyl is a limiting factor (in fact Many people think that this "inaccuracy" can bring more realism).
To test and test!

After remembering what I said above, I will list five albums below, you can check out the differences. Before listening to the album, you should also consider trying to feel what it is like to be "over-processed." Recently, several vendors have asked me to evaluate several free music editing software, such as the open source free Audacity, directly drag and drop your MP3 audio to the editing menu on the left.

I chose the devastating desire of the gun flower band "Appetite for Destruction" as one of the five test albums, and chose "Mr. Brownstone", my favorite song as a test track.

First, at least listen to the recording of the beginning vocal part, then open the Effect drop-down menu, select "Filter" and "Bandpass/stop" and then in the advanced settings, select "Bandstop" and preset In the menu, select "Reduce vocals" and finally open the filter and listen again.

Digital music is multitrack recording, and double tracking is usually one of the left and right channels, not both. Considering that the bandstop filter is to be extracted in the middle channel, in this case, the effect of many dual-track processing is more obvious. The drums, bass, and guitar bass are very thick, and the lead uses two tiny delayed half-volume tracks. This is not all, but at least we will give you some ideas before we move further.

Compared with digital music, the record uses the undersampling method to some extent. Although your bass is too heavy and the drums are loud, the overall effect of mixing is good, because the little tricks of digital recording are hard to hear. Of course, every song in Appetite for Destruction is a bit different, but sound engineers often use the same processing methods.

Here are the albums I recommend:

#5 Nirvana, Bleach (1989)

#4 Guns N' Roses, Appetite for Destruction (1987)

#3 The B-52's, The B-52's (1979)

#2 David Bowie, Lodger (1979)

#1 Black Sabbath, Black Sabbath (1970)

You should have noticed that they all came from different eras after 1970. Each band has contributed to the development of recording tools and methods. In the black vinyl version of the album "Black Sabbath" (1970), the "dark" effect is more rich and deeper than the original, but the digital version gives a very exaggerated feeling. The difference between Vinyl and CD is well reflected in the Black Sabbath band.

Speaking of not overusing the same processing tool, we have to say David Bowie's "Lodger", which combines simple reverb and more sophisticated mixing tools. But Bowie explored every recording in Lodger while preserving many of the early flavors. "Lodger" is a special case of record music. He does not tend to modern music, but it is also the crystallization of modern music transition period.

If The B-52's takes the pace of modern music production, then Guns N' Roses is a firm performer! If you can't hear anything different from Nirvana, then you probably don't want to know the truth behind it. As a comparison, you should probably consider listening carefully to vinyl.

If your ears are sensitive enough, you will be able to hear the digital processing done by the mixer. I think you should not want to know the tricks of these treatments. It’s like knowing that the magician’s feeling of hiding the rabbit before the magic show is boring.

It is true that there are always people who say that vinyl discs are better, in fact you can always hear the difference. Ironically, the discussion of modern records that are “over-processed” is far more than the discussion of early artists such as Barbra Streisand or Sinatra, whose albums have had subtle special recordings at the beginning, and Most jazz also have subtle sound effects. What is different from the digital age of today is that their "handling" is to make music closer to the scene and to be closer to reality!

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